RSS

Tag Archives: The Spoons

ATF Tunes: Gentlemen of the world

There are problems with a number of genre names in music. One of them is “new wave”. The problem is that this style of music is no longer new. Shall we refer to it simply as “wave”? Here is one of Canada’s finest new wave groups. They never won a Juno but everyone knows their name.

They formed in 1979 in Burlington, Ontario. They experienced a number of membership changes over the years; the only consistent players were Gordon Deppe and Sandy Horne who were high school sweethearts. In 1981 they released the album Stick Figure Neighbourhood, engineered by Daniel Lanois. No significant hit resulted until their second album (certified gold) came out a year later: Arias & Symphonies. Three tracks made the Top 40. The very first song to make a name for The Spoons was the new wave classic “Nova Heart“, our 12th favourite song of all-time by a Canadian artist. Their success allowed them to open for such acts as Culture Club, The Police, and Simple Minds on their tours. They enjoyed a couple more hits before calling it quits at the end of the 80s.

Lyrics

Architects of the world
I walk your streets and live in your towns
Temporarily
Architects of the world
You’ve served us well until now
But soon we’ll be on our own

[Chorus:]
And I’ll sleep in your
Nova heart
As things come apart
I’ll hide in your
Nova heart
At ease with the thought
That this nova won’t burn out

Gentlemen of the world
I read your books and look at your art
Gentlemen of the world
You want to educate our young
But soon they’ll be on their own

[Chorus]

Summary

Song: “Nova Heart”
Album: Arias & Symphonies
Year: 1982
Artist: The Spoons
Origin: Burlington, ON

More songs…

 
Leave a comment

Posted by on October 2, 2011 in ATF Tunes, Songs

 

Tags:

New Wave and Electronic Rock (1980-84)

In the early 80s, dance music became less popular in the English-speaking world. It was to be reborn several years later. Punk rock whose appeal was confined for the most part to the United Kingdom morphed into new wave. The synthesizer, Bob Moog’s 1963 invention, had made appearances in rock throughout the 70s, but a number of British artists began experimenting with using the synthesizer as the lead and sometimes only instrument. This new electronic rock helped spawn a second British Invasion. Arguably, with acts like Images in Vogue, Strange Advance, Rational Youth, Blue Peter, Moev, The Spoons, and Rough Trade, Canada was more keen on developing synthesizer-driven pop than the United States. The most popular new wave act was perhaps Vancouver-based The Payola$.

With the new styles in music, radio was friendlier to some artists than to others. The so-called underground music scene became exceptionally popular as did college radio which picked up the slack. In order to help promote and recognize more experimental music, the CASBY awards were established in 1981 to honour excellence in independent or “alternative” music and artists.

Guitar-oriented new wave group Corbeau was somewhat successful in Québec. When it disbanded in 1984, female singer Marjo embarked on a solo career. Québec never grew tired of dance music. With the new interest in synthesizers, electronics were added to the genre care of acts like Trans X and the hugely successful Men Without Hats. English Canada experimented with dancier new wave and came up with male/female combo outfits like The Parachute Club and Martha and the Muffins, which later became known as M+M.

After new wave, the second most popular genre in the early 80s, which did not receive as much radio airplay, was heavy metal. A few artists in Canada dabbled in this, like Helix, Toronto, and Chilliwack spin-off The Headpins, and some combined electronics with hard rock, like Aldo Nova and supergroup Loverboy.

Curiously, a backlash against this new-fangled music emerged in parallel. A number of groups performing more traditional blues rose to prominence, the most notable of which were The Powder Blues Band, Doug and the Slugs, and a cappella group The Nylons. Medicine Hat (Alberta) risqué country band Showdown debuted in 1980 and Montréal fusion-jazz outfit UZEB in 1981. Scottish import Eric Robertson, a composer, pianist and organist scored a multi-platinum album entitled Magic Melodies.

A number of acts did not deviate from straight-forward pop: The Kings, Teenage Head, Straight Lines, Sheriff, and Red Rider (whom we’ll feature later in conjunction with front man Tom Cochrane’s solo career). But it was primarily the solo artists who performed mainstream pop and a few of them were to become the biggest names in Canadian music history.

Diane Tell (who also performed with aforementioned UZEB), Véronique Béliveau, and Martine Saint-Clair made headways in French Canada. René‘s little sister Nathalie Simard became a child star in the early 80s. In 1983, Céline Dion emerged and blew everyone in the province away. We’ll talk about her later when she achieved international superstardom.

In English Canada, debuts from women were notably absent during this period. For the men, however, it was a very different story. From Montréal, an English singer who liked to wear sunglasses at night released a sleeper hit album in 1983. No one knew just how popular he was to become by the middle of the decade. His name was Corey Hart. An ex-Sweeney Todd Vancouverite singer got some attention with his “Let Me Take You Dancing” in 1979. But, frustrated with his lack of big success, he teamed up with songwriter Jim Vallance, changed his singing style from smooth to gravelly, and released Cuts Like a Knife in early 1983. For Bryan Adams all hell broke loose, and he captivated the nation eventually becoming the most successful Canadian artist of all-time. The biggest male name in French songs was perhaps Manitoba-born Daniel Lavoie. Although he started out in the 70s, his popularity skyrocketed in the early 80s, and he garnered a few Félix Awards. In 1998, he teamed up with two other singers and released the third best-selling single of all time in France.

The best-selling albums during the period were those from Anne Murray, Loverboy, Ginette Reno, and the aforementioned Eric Robertson. Another big-seller was the novelty comedy record Bob & Doug McKenzie‘s Great White North responsible for a couple of hit songs, including the Geddy Lee (Rush) led “Take Off”.

It is also worth noting that, outside of Québec, which had a very productive year, significant Canadian music was practically non-existent in 1984. Sherry Kean scored a Top 20 hit with “I Want You Back” and Italy-born Zappacosta became known in some circles with his debut release. But no Canadian song made the weekly Top 10 in the RPM charts throughout the entire year. Furthermore, no Canadian song made the year-end CHUM chart, and the Juno Awards were delayed. What happened in 1985, however, was to more than make up for it.

With the ever-increasing popularity of music videos, Canada launched a national channel called MuchMusic at the end of August in 1984. Although criticized for focussing too much on music from and that appealed to Torontonians (where the station was based), and showcasing too much American-style black and Spanish music, it enabled a number of Canadian artists to gain exposure and make breakthroughs. Two years later, a French language version was aired called MusiquePlus.

MuchMusic was also criticized for airing too many movies, game and reality shows when most people tuned in to see the MVs. The channel responded to all the criticism by launching MuchMoreMusic in 1998 which played more MVs and music that appealed more to adult Canadians.

Eventually, MuchMusic replaced CBC’s Good Rockin’ Tonite which was broadcast from Vancouver.

Coming up, we’ll provide a list of significant Canadian songs in the early 80s, followed by a special feature on Bob & Doug McKenzie’s The Great White North album, and then mini-profiles on semi-major acts Martha and the Muffins, The Parachute Club, Martine St-Clair, and Toronto, and finally individual profiles on major artists Men Without Hats, The Payola$, Loverboy, Diane Tell, Véronique Béliveau, Corey Hart, Daniel Lavoie, and Bryan Adams.

 
3 Comments

Posted by on March 23, 2011 in 1980s, Period Summaries

 

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

 
Follow

Get every new post delivered to your Inbox.

Join 2,401 other followers

%d bloggers like this: