Teen Daze Serves Themes for Dying Earth

teen-daze-themes-for-dying-earthTeen Daze, i.e. B.C. Fraser Valley’s Jamison Isaak, recently served up his sixth LP, Themes for Dying Earth. The disc features contributions from Jon Anderson, Sean Carey, Nadia Hulett, Sound of Ceres, and Dustin Wong. It is a fine banquet of electronic ambient pop that explores themes of nature as a respite from the concrete forest, and the environment as something to be conserved. The album opens with “Cycle,” which begins an exploration of the artist’s personal experience dealing with anxiety and depression, and branches out to examine external forces, like climate change, that affect those moods. Another standout track, “Lost,” gently flutters in like a colourful butterfly before opening up droning vocal harmonies and bringing in Nadia Hulett’s twinkling serenade toward the close. Teen Daze’s Themes for Dying Earth expertly weaves a crystalline web of dream and euphoria. Fans of Seoul should enjoy this.  iTunes

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Selected New Releases 10 February 2017

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Vibrant Heels of Lévis, QC contributes a good metal album for fans of the genre. Crank up Driven for some concussion inducing hard rock tunes. It’s not all noise and fury but offers too some skilled instrumentation and blends in a little alternative rock which makes the disc more engaging.

Winnipeg’s The Treble could not be more excited to release its debut album Modernaires, and we are impressed with it. The group has a pleasant, driving folk-pop sound which will get you slapping your knee along to the well-crafted tunes.

Vancouver alternative group Mother Mother delivers No Culture. Described by iTunes as a mix of “crunchy rock and explosive pop”, it debuted on the platform’s chart at #2. It is certainly a fun album to listen to with ample theatrics and pizzazz.

Like Mother Mother, but more on the roots as opposed to progressive side, two JUNO nominations deck The Sadies‘ halls. The new album Northern Passages blends several genres together resulting in an alternative soup that is quite delicious.

Surprisingly fine is the self-titled album from Cape Breton’s Port Cities. Smooth groove and punchy pop music with some heartland ambiance makes this one of the best releases this week.

Raton Lover does soft rock right on Le sens du vent. The band is from Quebec City. You will hear the occasional spark of country and some clever hooks yielding a rewarding listening experience.

Our pick for the week is electronic project Teen Daze from the Fraser Valley, BC’s exceptionally talented Jamison Isaak. Album Themes for Dying Earth is both soothing and dazzling, conjuring up an atmosphere of futurism and dreamy melancholy that transported us to another dimension. The album is unbelievably good.

Those eager for some 60s style French pop, look no further than the new album from bilingual artist Sally Folk, 3e acte. She’s from Montreal.

There are a few EPs this week to talk about. Montreal’s Nicolas Patterson contributes a really nice singer-songwriter disc Everything Is Changing. Begonia, project of Chic Gamine singer Alexa Dirks, releases alternative EP Lady in Mind. Raphaël Dénommé of Quebec makes decent blues trash rock on a new eponymous disc. Finally, Vancouver’s Emma Citrine serves gritty folk rock on EP Sad Surprise.

Selected New Releases 14 August 2015

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This week we have five albums and an EP to talk about. Six colours appear: red, grey, black, yellow, purple, and brown. Saddle up for album red. The Bloodred Yonder is a fine outlaw county work from Vancouver’s Ben Rogers who is also a film and TV actor. Album grey, Go On, offers some pleasant singer-songwriter tones by Halifax’s talented Paper Beat Scissors. Album black is a various artists compilation featuring some of Quebec’s maestros of hip hop, entitled HHQc.com: La force du nombre 2. Album yellow, Morning World from Abbotsford, BC’s Teen Daze (i.e. Jamison Cox), puffs up a dreamy, alternative world which is very diggable. The purple album we reviewed previously: Toronto metal band DiemondsNever Wanna Die. Finally, the brown EP is The Fifth by Toronto’s Birds of Bellwoods, a highly skilled folk quartet.